Stanley Kubrick didn’t just make films—he exposed truths. His final movie, Eyes Wide Shut, pulled back the mask on the rituals of the elite, and just days after delivering his cut, he was dead.
Officially, it was a heart attack. But a CIA officer, speaking on his deathbed, confessed it was an assassination—carried out under orders from above.
He revealed that the Eyes Wide Shut we saw was a mutilated version of Kubrick’s vision—its narration torn out, whole sequences erased, and a chilling subplot exposing elite pedophile networks buried in the cutting room floor.
Tonight, we’ll play that confession. And piece together the missing fragments of Kubrick’s final vision—what they didn’t want you to see.
Warning: what you are about to see and hear is explosive. It’s already claimed multiple lives… and it could claim more.
Stanley Kubrick died of a so-called “heart attack” in his sleep—just six days after screening what he believed was the final cut of Eyes Wide Shut for Warner Bros. He reportedly called it his “greatest contribution to the art of cinema.”
But speculation has always lingered that Kubrick wasn’t simply unlucky… he was silenced. And the deeper we dig, the harder it is to dismiss.
Let’s rewind to the movie’s first industry screening in London, just days before his death. Witnesses recall Kubrick’s fury—his masterpiece had been mutilated. Narration stripped. Scenes missing. Subplots erased.
This wasn’t the Kubrick the world knew. The director of 2001: A Space Odyssey, A Clockwork Orange, The Shining—a man who fought for and maintained absolute artistic control over every frame of his career-defining films.
The idea that Warner Bros would strip him of that control for his final work? Unthinkable, as Pulp Fiction writer Roger Avary says.
The version of Eyes Wide Shut that reached theaters was explosive enough. In it, Kubrick dared to show how the elites actually live.
On the surface, they’re polished and untouchable—dressed in sharp suits, speaking smoothly on television, projecting power and respectability.
But behind the curtain, Kubrick revealed a darker truth: secret rituals, used not just for pleasure, but for control. And for those who cross the line—the most dire consequences… of the kind Kubrick was about to experience himself.
No wonder the CIA acted on behalf of the global elite, their masters, to ensure the final cut never saw the light of day. We’ve got details about that operation coming up.
If you want proof of how dangerous this topic is, just look at Quentin Tarantino. The man never stops talking—until this comes up. Suddenly he’s quiet, tense, uncomfortable.
As much as they tried to dismantle Eyes Wide Shut after Kubrick’s death, fragments of his vision still bleed through—enough to trace the outlines of the truly dangerous film he actually delivered.
Take the final scene. It doesn’t make a lot of sense in the version they finally released—because the crucial subplot had been surgically removed by hidden hands from the movie.
But as Roger Avary said, if you watch closely, you’ll see it. Hidden in plain sight.
In the background, Tom Cruise and Nicole Kidman’s characters appear to “sacrifice” their young daughter—led off by two men in dark coats.
For most viewers, watching the studio’s heavily censored cut, it’s a detail that’s easily missed. But in context? It’s a chilling clue to what Kubrick wanted us to understand about elite ritual child abuse and sacrifice… and what the studio tried to erase.
If you don’t believe pedophiles hold power at the very top, then explain this: Netanyahu’s own deputy was arrested in a Las Vegas child predator sting—only to be quietly released. No charges. No explanation.
Some things don’t change. A century passes, faces change, regimes rise and fall—but the same dark patterns remain.
Eyes Wide Shut was officially based on Arthur Schnitzler’s 1926 novella Traumnovelle—or Dream Story. At first glance, it’s the tale of a husband drifting through a strange, erotic odyssey after confessing a troubling dream—his desire for a very young girl.
That confession sets him on a path into a hidden world of elite orgies, where sex, secrecy, and power are bound together in rituals that blur the line between fantasy and nightmare.
But here’s the crucial detail. In Schnitzler’s original story, the theme of underage temptation is unavaoidable. In the studio cut of Kubrick’s movie? Almost all of that was scrubbed away. The studio made sure the references to pedophilia were mostly cut, leaving only a shadow of what Kubrick had intended.
It wasn’t only Hollywood studios doing the CIA’s bidding to protect the occult elite and bury Kubrick’s revelations. The mainstream media played its part too—making sure the most damning truths never saw the light of day.
But every so often, a crack slips through. During an interview in Los Angeles while promoting HBO’s Big Little Lies, Nicole Kidman let slip the real theme at the heart of Kubrick’s final film.
Stanley Kubrick claimed that “the world is run by pedophiles”, according to Nicole Kidman, who revealed the reclusive director taught her “how the world works and who is really in control behind the scenes” while filming Eyes Wide Shut.
“Stanley told me the world is run by pedophiles,” Kidman said.
“He studied secret societies his whole life, he was fascinated by them, and he said the elite, the top secret societies, they are full of men with a certain predilection. They are tied together, sort of bonded, by pedophilia.
“They all know each other’s dark secrets. There is no way out for any of them. It’s a lifetime bond. Even if one of them wanted to go straight, repent, so to speak, he can’t. His peers will bring him down. They are in it until death, driving the world to ruin.”
Asked if Kubrick’s knowledge of secret societies and their darkest secrets had anything to do with his death, Kidman raised an eyebrow and said “That’s not a question I can answer here.”
“Though maybe I could… None of you in the media would be allowed to print it, would you? The men who own your companies wouldn’t allow it to get out.”
And that became a self-fulfilling prophecy. The media refused to print a word of what she said about that dangerous topic.
And the few outlets that dared? They were ruthlessly attacked by so-called “fact-checkers” and wiped from social media. Erased—just like Kubrick’s original cut.
But the truth has a way of forcing itself to the surface.
Years after Kubrick’s death, former CIA officer Robert David Steele passed a massive trove of files to The People’s Voice. Steele had been a long-time ally in the fight to reveal what the elites wanted hidden. He trusted us with the material—but on one condition: that it would only be published if something happened to him.
And eventually, it did.
When Steele died in 2021, we mourned a friend. But we also understood what his mission demanded of us. Expose the pedophiles. Bring them to justice. And save the children.
His case notes are clear: the CIA ordered Kubrick’s assassination. It was both a warning to others—Tarantino included—and a way to stop Kubrick from pushing for the full release of his final, uncensored masterpiece.
So who carried it out? According to Steele’s files, the man responsible died in 2020. Before he passed, he left behind a deathbed confession—one Steele made sure was recorded, preserved, and meant for the world to hear. The weight of his guilt had become unbearable.
He wasn’t just CIA. He was embedded in the film industry itself, working undercover to steer projects from the inside. And he had infiltrated the Magic Circle—a secretive order of elite magicians, led by president David Berglas, with long-standing CIA ties. Among its honorary members? None other than King Charles himself.
According to the confession, it was there that Stanley Kubrick met his end—in a ritualistic ceremony, staged as both execution and warning.
Kubrick wasn’t the only one. Hollywood has a trail of bodies behind it—artists who got too close to the truth. Brandon Lee was shot on the set of The Crow in 1993, killed by a “prop gun” that somehow fired a live round. Officially an accident.
But his father, Bruce Lee, had already died mysteriously—and Steele’s files suggest Brandon was under surveillance for the themes of death, rebirth, and corruption in that film. Like Kubrick, he was silenced.
Fast forward to 2009. David Carradine—found dead in Bangkok, bound and hanging in a hotel closet. The tabloids laughed, called it autoerotic asphyxiation. But Carradine had been talking—about secret societies, about Hollywood’s ties to intelligence. His death was ritualized humiliation, another warning.
And then there’s Quentin Tarantino. Carradine’s last big role was in Tarantino’s Kill Bill—a film loaded with ritual symbolism. Carradine played the cult leader, the man behind the mask. After that, he ended up dead.
And Tarantino? Whenever Eyes Wide Shut comes up, the most talkative director in Hollywood suddenly shuts his mouth. Kubrick mocked them. Carradine exposed them. Tarantino knows what happens when you get too close.
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